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Looking for Longleaf PDF. Luminous Passage PDF. Macbeth PDF. Manson PDF. Mark Twain PDF. Mass Effect PDF. Masterwork Classics PDF. Mathematics in Action PDF. Mirror Image PDF. This film is one of his trifles. But there are things to discuss, of course. Like that the movie begins with Colin Firth's character performing onstage in Berlin — in yellowface. That got my attention!
How about you? Alison Willmore: It definitely made me wince, though white magicians who tried to create a sense of mystery with a Orientalist persona were a real, mostly period-appropriate thing. It plays into the story, in that Stanley Firth believes he'll remain unrecognized when he goes to debunk supposed psychic and spiritualist Sophie Emma Stone , because people only know him as a performer as "Wei Ling Soo.
And it's another problematic example of movies and TV acting like this treatment of Asians is somehow safe — hard to imagine a movie starting with a lighthearted scene in which its lead is in blackface.
But that willful obliviousness is something that I've come to associate with Allen, who often seems relevant only accidentally as with Blue Jasmine , and this movie feels even more like it exists in a hermetic bubble given how little bearing it has to Allen's recent experiences.
Kate, what did you think of the yellowface? And, more importantly, what did you think of the romance between Firth and Stone? Kate: You're right, no movie would be so blithe about blackface. Nor would Firth, I imagine. Also, the resulting jokes — "I dreamt I was being followed by a sinister Chinese! Like the film, frankly! The romance between Firth age 53 and Stone age 25 existed on a few levels for me. It barely registered as a romance, in the same way this movie is so light it's almost nothing.
As with most Allen couples, I didn't like the way Stanley thought of Sophie: She eats too much, and he calls her "an uneducated nobody. Stanley is supposed to be a puffed-up jerk. I like both actors very much, but they had no chemistry — I just wanted it all to end.
On a symbolic level, though, I was interested that the screenplay, which was written and shot before Dylan Farrow told the world in February that her father's fame is a source of continuous pain for her , is basically about an older man trying to prove that a younger woman is a liar. Even Firth and Stone, who are very charming leads, can't make the love story any more lively, but, as you've said, that's kind of a relief — I was also happy it ended when it did.
I confess I've never been a great Allen devotee — I've liked some of his films and have been left cold by others, but I've never felt the depth of personal connection to his work that some of my friends and colleagues do. But watching this movie, for maybe the first time ever, I found that my awareness of everything Allen's been accused of actively overshadowed my ability to take in what was on screen on its own basis.
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