For a full list of the technical specifications please refer to the product manual. Something went wrong. Please try again in a few minutes. This product has been archived Product Support. Previous image Next image. Product variations. For compatibility and to download the application, please visit:. Android and Google Play are trademarks of Google Inc. Tech Specs. Effective Pixels Megapixels Sensor Size Image Sensor Format DX. Hi-1 ISO 12, Hi-2 ISO 25, Monitor Size 3 in.
Dimensions Width x Height x Depth 5. Weight Type Collapse Type Type Single-lens reflex digital camera. Nikon F bayonet mount.
FYI: the sensor inside the D is made by Nikon. FCC disclosure statement: this post may contain affiliate links or promotions that do not cost readers anything but help keep this website alive. Thanks for your support! Nikon Rumors. The D provides a special Movie Crop setting that can be used when recording 50i or 60i movies.
This crop is enlarged to fill the monitor screen. Users can also and also record video directly to an external device via the HDMI connection. A wide range of adjustments is available in movie mode, covering aperture, shutter and ISO settings.
However, the aperture setting is locked when you enter Live View mode. If you want to change it, you must exit Live View, re-set the aperture and re-enter Live View again, which is annoying. Attaching the optional ME-1 stereo microphone can overcome this problem, in the main. Playback and Software Both are virtually identical to those provided for the D Still images from the review camera were similar to those from the D Exposure metering was consistently competent, regardless of the metering pattern selected and exposures were usually well-positioned.
The Active D-Lighting function ensured highlight and shadow details were recorded adequately in most JPEG shots, although the auto setting was unable to compensate fully for strong backlighting. Imatest confirmed our subjective assessment and showed reds and oranges to have elevated saturation in JPEG shots. Autofocusing was fast and accurate with both lenses when the viewfinder was used but slightly slower in live view mode. Our timing tests showed this to be the case. Imatest showed resolution to be close to expectations for a megapixel camera for NEF.
RAW images. JPEG image files recorded resolution levels slightly below the values obtained for raw files in our Imatest tests. This is no mean feat for a camera of such high resolution. Imatest showed the camera performed well at high sensitivity settings, particularly with raw files. A steady, gradual decline in resolution was recorded as sensitivity was increased, as shown in the graph of our Imatest results below.
Long exposures at night showed little noise right up to ISO The Hi 1 and Hi 2 settings were visibly noise-affected with exposures of a second or two. Interestingly the review camera produced flash shots with almost no discernible noise at both of these settings and noise was undetectable right up to ISO However, using longer lenses tended to produce shading in close-up shots.
So did using the lens hood with the 50mm lens. An example is shown below. We found no aliasing, moire, rolling shutter or tearing in clips at the higher resolutions. But the movie crop setting reduced resolution to a noticeable degree. The Toshiba sensor inside the D — Picture by Chipworks. This assumption would explain why Nikon is using a Toshiba sensor in the D — 24 megapixels on APS-C is as much as 48 megapixels on full-frame, which means pixels one quarter the size of those on a 12 megapixel full-frame sensor as in the D3S, which was the low light king for quite some time.
Which is comparatively small for DSLR pixels.
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