Sorry am I missing something? I find it hard to see where you'd need a ft or 30 metre, is that where the confusion is creeping in? BTW do I recall another thread where we were discussing mic cables with you and a couple of people suggested cutting your 30M cable into 3 x 10M ones? Sorry for the confusion, I was talking with someone about 30ft speaker cables whilst I was replying yesterday and got my numbers all about face Yes, you are quite right, leaving the stage and going into the audience is exactly what I would need the extra length for, but I have to weigh that up against losing quality in the sound, but all the info provided has enabled me to make my decision, and that's the most important thing so thanks again guys, once again :.
Whilst I don't want to disagree with anything that has been written above, I should point out that if you're running a cable 80ft asuming a 20ft stage into an audience then that is one hell of a trip hazard! It's not just yourself you're exposing to risk but paying customers too. If someone was to decide they needed to answer the call of nature and didn't spot your cable and tripped on it you could have quite a claim on your hands.
Now in the past it might have been seen as "one of those things", but nowadays the lawyers will be making the point that you could have chosen wireless and you chose not to because it was cheaper. That won't go down well. For me, that would be the main reason for going wireless! Sorry to be the bringer of doom but this is one of those occasions when crying "Health and Safety made me do it" may actually have a point!
The trip I can't think of a better reason to put up with the issues of going wireless. I think it is all relative and whilst I agree that a radio mic will never be as good as a cable mic you will only tell in reality if you do a comparison side by side. They all have their limitations but I would have thought that a good quality UHF ch38 diversity system would be acceptable quality and you would get used to it in time and some of them can actually improve live sound as they can slightly compress the dynamic range, you can even get capacitor inserts for the sennheiser range of you like the sm87 and I would say contact a good dealer and try some out.
They can offer a lot more freedom than cabled mics and will allow you to concentrate on your performance without the worry of where your cables is or if it may be a safety hazzard. You can post now and register later.
If you have an account, sign in now to post with your account. Paste as plain text instead. Only 75 emoji are allowed. Display as a link instead. Clear editor. Upload or insert images from URL. Share More sharing options Followers 0. Reply to this topic Start new topic. He explains why:. When SSL came out with a live console they contacted me to see if I was interested in taking a look. I liked what I saw and took a console out with Selena Gomez a few years back — learnt it and loved it.
They are super clean, and have super high dynamic range. I run most of my inputs really hot and they sound amazing.
Then there are three onboard plug-ins available, which are amazingly beautiful. But, then again, UA produces beautiful renditions of its own compressors. The system digitises the audio in the transmitter. From there I apply an external EQ compressor de-esser, then the channel EQ and the channel limiter, which is there just in case. Craig then applies some light use of reverb to the vocal — a Lexicon emulation and an EMT plate reverb emulator. It gives you some nice balance at the bottom register of the voice.
Craig Doubet explains:. I like to keep it clean — every input is as clean as I can make it. I get rid of any extraneous frequencies or bleed as best as I can. For example, I have 16 mics on strings, surrounded by reflective surfaces. Some snapshots even have some level changes. Sometimes to just save my skin in case of an unexpected level change, while at other times to help deliver that traditional big band sound.
Those pressings had quite a limited dynamic range, so you need to replicate that somewhat to make match expectations. I like to put some emotion into what I do. Your email address will not be published. The issue for me is that the guy has a nice, pleasant, and quite serviceable voice. If his pitch maybe isn't I love Frank's best work, but sometimes he missed those notes by a ways, even in his arguable prime.
Sometimes it's just better to be who you are. That's my take on it all. Top Mentioned Manufacturers. Facebook Twitter Reddit LinkedIn. Subscribe to our Newsletter. By using this site, you agree to our use of cookies. Code by Port Forward. Hosted by Nimbus Hosting. Connect with Facebook. The Dangerous 2 Bus review Jules.
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